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"Will you have something to eat Geoffrey?" says Mona. Her eyes have grown darker; her mouth is stern. To Rodney, who is watching her anxiously, she seems positively transformed. What a terrible power lies within her slight frame to feel both good and evil! What sad days may rest in store for this girl, whose face can whiten at a passing grievance, and whose hands can tremble at a woe in which only a dependant is concerned! Both sorrow and joy must be to her as giants, strong to raise or lower her to highest elevations or lowest depths. "How can you be happy with a weight upon your heart?" says Mona, following out her own thoughts irrespective of his. "Give up this project, and peace will return to you.".
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"You have heard me," retorts he, coldly, angered to the last degree by the extreme horror and disgust she has evinced at his proposal. He deliberately replaces the precious paper in his pocket, and turns as if to go. "I suffer nothing: I have no pain now. I am inexpressibly, happy," replies he, with a smile radiant, though languid. Forgetful of his unfortunate state, he raises his other hand, and, bringing it across the bed, tries to place it on Mona's. But the action is too much for him. His face takes a leaden hue, more ghastly than its former pallor, and, in spite of an heroic effort to suppress it, a deep groan escapes him. "I wonder," she says to herself, softly, "whether he will be with me at the usual hour to-morrow, or,—a little earlier!" "Very good," says Mona, indifferently, after which the woman, having straightened a cushion or two, takes her departure..
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